My ebook: April 2011

Sabtu, 30 April 2011

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Change is the one constant in business, and we must adapt or face obsolescence. Yet certain challenges never go away. That's what makes this book "must read." These are the 10 seminal articles by management's most influential experts, on topics of perennial concern to ambitious managers and leaders hungry for inspiration--and ready to run with big ideas to accelerate their own and their companies' success.

If you read nothing else - full stop - read:

Michael Porter on creating competitive advantage and distinguishing your company from rivals
John Kotter on leading change through eight critical stages
Daniel Goleman on using emotional intelligence to maximize performance
Peter Drucker on managing your career by evaluating your own strengths and weaknesses
Clay Christensen on orchestrating innovation within established organizations
Tom Davenport on using analytics to determine how to keep your customers loyal
Robert Kaplan and David Norton on measuring your company's strategy with the Balanced Scorecard
Rosabeth Moss Kanter on avoiding common mistakes when pushing innovation forward
Ted Levitt on understanding who your customers are and what they really want
C. K. Prahalad and Gary Hamel on identifying the unique, integrated systems that support your strategy

Sales Rank: #25806 in Books
Brand: Harvard Business School Press (COR)
Published on: 2010-11-08
Original language: English
Number of items: 1
Dimensions: 8.00" h x 6.00" w x .75" l, .71 pounds
Binding: Paperback
288 pages

About the Author
HBR's 10 Must Reads paperback series is the definitive collection of books for new and experienced leaders alike. Leaders looking for the inspiration that big ideas provide, both to accelerate their own growth and that of their companies, should look no further.

HBR's 10 Must Reads series focuses on the core topics that every ambitious manager needs to know: leadership, strategy, change, managing people, and managing yourself. Harvard Business Review has sorted through hundreds of articles and selected only the most essential reading on each topic. Each title includes timeless advice that will be relevant regardless of an ever-changing business environment.

Classic ideas, enduring advice, the best thinkers: HBR's 10 Must Reads.

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67 of 70 people found the following review helpful.
Useful introduction to the ideas of leading strategy experts
By John Gibbs
There are plenty of books available on strategy, but most business leaders do not have a lot of time to read them. Where can you go to get a reasonably-priced introduction to the ideas of some of the leading experts on business strategy? This book provides one possible answer. It includes essays on strategy and the five competitive forces by Michael Porter, building a vision by Collins and Porras, blue ocean strategy by Kim and Mauborgne, and the balanced scorecard by Kaplan and Norton.

Although I found the essays by each of the above-mentioned authors less inspiring and enlightening than their books on the same subjects, this compilation does give a good introduction to their ideas, and will help the reader discern whether to take the next step and read the authors' books. Each essay contains sidebars including an "Idea in Brief" sidebar which will help the busy reader further; however, in the Kindle version the sidebars simply appear in the main text, which interrupts the flow and can lead to confusion.

Not all strategic advice is good advice. In my view the advice given in the essay "Transforming Corner-Office Strategy into Frontline Action" leaves something to be desired. The idea of distilling a company's entire strategy into "one pithy, memorable and descriptive phrase" may appeal to some, but I really struggle to see its value. Examples include AOL ("Consumer Connectivity first - anytime, anywhere"), GE ("Be number one or number two in every industry in which we compete, or get out"), Dell ("Be direct"), and eBay ("Focus on trading communities"). Do any of these actually communicate useful strategies, or are they meaningless mantras?

On the other hand, I found the other essays on essentially the same topic (turning strategy into action) quite useful. "The Secrets to Successful Strategy Execution" by Neilson, Martin and Powers and "Turning Great Strategy into Great Performance" by Mankins and Steele gave some very practical steps which a leadership team can take to make a strategy actually happen. All up, I recommend this book as a valuable introduction to strategy.

24 of 24 people found the following review helpful.
How to create "a unique and valuable position" by deciding what to do...and not do
By Robert Morris
This volume is one of several in a new series of anthologies of articles that initially appeared in the Harvard Business Review, in this instance from 1960 until 2006. Remarkably, none seems dated; on the contrary, if anything, all seem more relevant now than ever before as their authors discuss what are (literally) essential dimensions of formulating and then executing an effective strategy.

My own opinion is that strategies are "hammers" that drive tactics ("nails) and the key is to get a strategy in proper alignment with the ultimate objectives as well as with an organization's various activities. That said, what we have in this volume is a variety of thoughtful perspectives on strategy provide by those who are among the world's most highly-regarded authorities on the subject.

More specifically, the reader learns how to understand what strategy is and isn't as well as what it does and (doesn't) do, and, how to manage/leverage the five competitive forces that shape strategy (Michael E. Porter); also, how to build a company's vision (James C. Collins and Jerry I. Porras), how to reinvent a business model (Mark W. Johnson, Clayton M. Christensen, and Henning Kagermann), how to formulate and then execute a "blue ocean strategy" (W. Chan Kim and Renée Mauborgne), how to take full advantage of the "secrets" of effective strategy execution (Gary L. Neilson, Karla L. Martin, and Elizabeth Powers), how to use the Balanced Scorecard as a strategic management system (Robert S. Kaplan and David P. Norton), how to transform corner-office strategy into frontline action (Orit Gadiesh and James L. Gilbert), how to turn great strategy into great performance (Michael C. Mankins and Richard Steele), and gain a much better understanding of how clear decision roles enhance organizational performance (Paul Rogers and Marcia Blenko).

Each article includes two invaluable reader-friendly devices, "Idea in Brief" and "Idea in Practice" sections, that facilitate, indeed expedite review of key points. Some articles also include what I characterize as "business nuggets" in which their authors focus on even more specific subjects such as "Finding New Positions: The Entrepreneurial Edge" (Porter, Page 10), "Big Hairy, Audacious Goals Aid Long-Term Vision" (Collins and Porras, 96), "A snapshot of blue ocean creation" (Kim and Mauborgne, 130-132), "Translation vision and strategy: four perspectives" and "Managing strategy: four processes" (Kaplan and Norton, 172 & 173), and "A Decision-Making Primer" (Rogers and Blenko, 236-237).

These ten articles do not - because they obviously cannot - explain everything that one knows to know and understand about the formulation and execution of an effective strategy. However, I do not know of another single source at this price (currently $14.23 from Amazon) that provides more and better information, insights, and advice that will help leaders to achieve success in the business dimensions explained so well by the authors of the articles in this volume.

17 of 17 people found the following review helpful.
One competitor dominants in a space. Why companies win the space and how they keep it
By Golden Lion
The basics of strategic competition

1. Understand competitive behavior
2. Understand how a strategy will rebalance competitive equilibrium
3. Understand commitment of resources even if deferred benefits
4. The ability to predict risk and return enough to make a commitment
5. The willingness to act

Barriers to entry
1. Scales to production, research, and marketing are barriers
2. To create barriers companies combine economies of scale with brand
3. Capital requirements limit entry into many markets
4. Entrenched companies may have cost advantage not available to potential reviles
5. A new product must displace existing product by cost reduction, promotions, intense selling efforts, or new distribution channels
6. Regulation can limit entry into a business

Suppliers can exert bargaining power by reducing profitability by raising prices or reducing the quality of their products

A supplier is strong if it does not have to contend with other products in the industry

Buyers find alternate suppliers and play one against another to reduce price or improve quality

Highly profitable buyers are less price sensitive . The buyer is interested in quality

Consumers are more sensitive to price purchasing an undifferentiated product where quality is not an issue

A company improves its strategic position by finding buyers and suppliers that can not a adversely affect it.

Strategy can be thought of as a defense against competition

Know how must be kept a secret to yield an advantage

Access advantages are vulnerable to shifts in availability or prices and sensitive to consumer preferences

Sustainable advantage is greatest when based on several kinds of advantages.

Industries that grow slowly offer more room to sustain advantages

Manufacturers are rebuilding their excellence in production

Stages of manufacturing effectiveness

Stage 1 Detailed management control systems are means to monitor performance
Stage 1 struggles to provide adequate production, help suppliers with problems, and keep equipment up to date. Stage 1 relies on consultants for advice and knowledge. Stage 1 represents a build and assemble mentality.

Stage 2 Capital investment is the means to catch up with competition. Stage 2 avoids introduction of major discontinuous changes in product or process. Stage 2 follows industry practices. Stage 2 believes production rates due to new equipment as the measure of efficiency. Stage 2 have research and development labs they turn to in addition to consultants and suppliers. Stage 2 is increased in capacity gains.

Stage 3 Long term developments trends are developed systematically . Stage 2 is looking out for long term developments and trends that may affect the companies ability to meet needs. Companies arrive at stage 3 through the natural consequences of success in developing business strategy based on formal planning. Stage 3 view technology enhancement as the consequence of changes in business strategy

Stage 4 Long term programs are put into place to acquire capabilities in advance of needs
Stage 4 anticipates new manufacturing practices and technologies. Stage 4 develop long term business plans where manufacturing capabilities play an important role. Manufacturing is a strategic resource.

The inertia of most large companies favors, a gradual, systematic, and cumulative movement through stages

Teamwork and problem solving is better than command and control

Moving to stage 4 involves changing how the organization thinks about manufacturing

Tighter intergration of product design and capabilities leads to flexibility

Mastery of activities at one stage provide the underpinnings for a successful transition to the next stage

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Senin, 25 April 2011

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Sales Rank: #10905861 in Books
Published on: 2005
Binding: Paperback

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Rabu, 20 April 2011

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FOR USE IN SCHOOLS AND LIBRARIES ONLY. Thirteen classic spine-chillers include ""The Fall Of The House Of Usher,"" ""The Tell-Tale Heart,"" ""The Masque Of The Red Death,"" and ""The Pit And The Pendulum.

Sales Rank: #7787301 in Books
Published on: 1990-10
Original language: English
Binding: Hardcover

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Selasa, 19 April 2011

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“The most credible and frightening of all the vampire books of the past decade.”
—San Francisco Chronicle

“Bram Stoker meets Stephen King meets Michael Crichton. It just doesn’t get much better than this.”
—Nelson DeMille

The stunning New York Times bestselling vampire saga that author Dan Simmons (Drood, The Terror) calls, “an unholy spawn of I Am Legend out of ‘Salem’s Lot,” concludes with The Night Eternal. The magnificent, if monstrously warped brainchild of cinematic horror master Guillermo del Toro (Pan’s Labyrinth, Hellboy) and Chuck Hogan—whose novel Prince of Thieves, was praised as, “one of the 10 best books of the year” by Stephen King—The Night Eternal begins where The Strain and The Fall left off: with the last remnants of humankind enslaved by the vampire masters in a world forever shrouded by nuclear winter. Still, a small band of the living fights on in the shadows, in the final book of the ingenious dark fantasy trilogy that Newsweek says is, “good enough to make us break that vow to swear off vampire stories.”

Sales Rank: #58003 in Books
Published on: 2013-10-08
Released on: 2013-10-08
Original language: English
Number of items: 1
Dimensions: 8.00" h x 1.26" w x 5.31" l, .95 pounds
Binding: Paperback
560 pages

Amazon.com Review

Amazon Guest Review: Stephen King on The Night Eternal

Stephen King is the author of more than 50 books, all of them worldwide best-sellers. Among his most recent are the Dark Tower novels, Cell, From a Buick 8, Everything's Eventual, Hearts in Atlantis, The Girl Who Loved Tom Gordon, and Bag of Bones. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

The Strain trilogy opened with an authentic wow moment: a Boeing 777 arrives at JFK airport with all but four of the passengers dead in their seats. The flashlight beams of the first responders “registered dully in the dead jewels of their open eyes.” Not much later these corpses begin to rise from their morgue slabs, and a plague of blood-hungry predators overwhelms New York. The first hundred pages of The Strain is a sustained exercise in terror that held this reader in spellbound delight, because del Toro and Hogan write with crisp authenticity about both the fantastical (vampires) and the completely real (New York City, with all its odd nooks and crannies).

What began in The Strain comes to a sublimely satisfying conclusion in The Night Eternal. Del Toro and Hogan have taken Dracula, the greatest vampire tale of them all, and deftly turned it inside out. In Stoker’s novel, Bloodsucker Zero arrives in England on a sailing ship called the Demeter. As with the Regis Air 777, the Demeter is a ghost ship when it reaches port, the eponymous Count having snacked his way across the ocean. The difference is that Dracula is confronted by a heroic band of vampire-hunters who eventually drive him from England by using modern technology—everything from diaries kept on wax recording cylinders to blood transfusions. In The Strain Trilogy, the body-hopping Master—who arrives at JFK in the person of Polish nobleman Jusef Sardu—uses the very technology that defeated his honorable forebear to destroy the civilized world. Big corporations are his tools; modern transportation serves to spread the vampire virus; nuclear weapons usher in a new era of pollution and atmospheric darkness.

Only jolly old England escapes; the wily Brits have blown up the Chunnel early on, and remain relatively vampire-free. At moments like this, the reader senses del Toro and Hogan tucking their tongues in their cheeks and having a gleeful blast.

When speaking of the New World Order in Henry the Sixth, Shakespeare has one of his characters say, “The first thing we do, let’s kill all the lawyers.” As The Night Eternal opens, the Master (currently having traded the body of Sardu for that of rock star Gabriel Bolivar) doubles down on that, ordering his minions to kill not just those in the legal profession but all the CEOs, tycoons, intellectuals, rebels, and artists. “Their execution was swift, public and brutal. Out they marched, the damned, out of the River House, the Dakota, the Beresford and their ilk…in a horrific pageant of carnage, they were disposed of.”

With the exception of heroic pawnbroker/scholar Abraham Setrakian (who almost destroyed the Master in Volume Two, The Fall), the winning cast of human characters from the previous novels are all present and accounted for: Nora Martinez, who has traded in her scientist’s microscope for a silver sword; Vasily Fet, who now exterminates vampires instead of rats; Augustin “Gus” Elizade, once a gangbanger and now a hero of resistance. There’s also the less-than-admirable but fascinating (in a repulsive way, it’s true) Alfonso Creem, with his insatiable appetite and his vampire-repelling mouthful of silver teeth.

And there’s Eph Goodweather, the epidemiologist around whom all these others revolve. When The Night Eternal begins, two years after the Master has used nuclear weapons to create vampire-friendly darkness all over the planet, Eph has fallen on hard times. His undead ex-wife stalks him relentlessly (he is, after all, one of her “Dear Ones”), his son has become a rifle-toting, obsessive-compulsive acolyte of the Master, and Eph himself has started popping Vicodin and oxycodone. Nora has left him for Vasily Fet, and Eph is viewed with distrust by those who used to rally around him. Justifiable distrust; he keeps showing up late for meetings and vampire-killing gigs.

Fet has managed to purchase a rogue nuke (it’s wrapped in garbage bags and looks like a trashcan), and the resistance fighters have a sacred book that may—if deciphered—lead them to the Black Site where the Master’s earthly life began. If they can destroy that holy soil, they believe the vampire plague will end.

There’s a certain amount of perhaps dispensable hugger-mugger about vampires in Rome and archangels in Sodom, but the main attractions here are the resistance fighters’ fierce dedication to their cause, and Eph Goodweather’s slow and painful realization that if he destroys the Master, he may also destroy his son Zachary, the last person on earth he truly loves. Heroes of tragic dimension are rare in popular fiction, but Goodweather fills the bill nicely.

After a small (and perhaps unavoidable—see Tolkein’s The Two Towers) letdown in The Fall, The Strain Trilogy comes to a rip-roaring conclusion in The Night Eternal. The action is non-stop, and the fantasy element is anchored in enough satisfying detail to make it believable. All the New York landmarks, such as Central Park’s Belvedere Castle and The Cloisters, are real. And while you’re discovering such essential vampire facts as the undead’s inability to cross running water without human help, you’ll also find out that the stone lions outside the New York Public Library have names: Patience and Fortitude. Plus, come on, admit it—there’s something about seeing vampires massing for an attack in a Wendy’s parking lot that makes them more real. The devil’s in the details, and this is one devilishly good read full of satisfying scares. --Stephen King

Review
Praise for THE NIGHT ETERNAL: 'A devilishly good read, full of satisfying scares' Stephen King Praise for THE FALL: 'The climax, all fire and brimstone, nicely sets up the third and final volume' Financial Times 'Enough blood-curdling action to set up a gory finale' News of the World 'Relentlessly paves the way for what promises to be an epic third book' Kirkus Praise for THE STRAIN: 'A near-flawless thriller' News of the World 'A rattling piece of escapism' The Times 'The first in a trilogy that soars with spellbinding intrigue. Truly, an unforgettable tale you can't put down once you read the first page. I can't wait until the next one.' Clive Cussler 'Blood and apocalypse mix in a terrifying story that feels like it was ripped from today's headlines. Vividly wrought and relentlessly paced, THE STRAIN haunts as much as it terrifies. I cannot wait to see where Del Toro and Hogan take us next.' James Rollins 'Diverting and never less than expertly crafted' Guardian

From the Back Cover

The Earth lies shrouded in darkness . . . and it is our world no longer.

Two years have passed since the vampiric virus was first unleashed upon humanity and nuclear winter has cast the poisoned world into eternal night. The remnants of the living that were not turned have been subjugated, with many imprisoned in camps to be bred and bled for the sustenance of the Master's vast vampire army.

Yet the fight continues. Dr. Eph Goodweather, of the Centers for Disease Control's biological threats team; his former colleague and lover, Dr. Nora Martinez; and the exterminator Vasiliy Fet, lead a band of freedom fighters aided by Mr. Quinlan, the half-breed offspring of the Master, who now is bent on revenge. At humankind's darkest hour, one of them may hold the key to salvation. But a traitor is among them. And who will be willing to make the ultimate sacrifice so that others may live?

Most helpful customer reviews

9 of 9 people found the following review helpful.
This is what happens when you don't know how to end your book series.
By J. Star
I am going to keep this brief, as there as a bunch of excellent reviews already pointing out the flaws in this book. I didn't really care for it, I took a month off somewhere in the middle of the book to read some other books, and I really had to force myself to come back and finish this one.

Oh, wait, is that what I did or is that what the authors did? It's hard to tell. The only thing I know for sure is that they had no idea how to end the trilogy after the events in the second book, so they copped out hard. Skip ahead two years, change the characters, skip the science, full steam ahead on the mythology! And then the end of the book is truly one of the most anti-climactic endings in recent memory. They spend so much time on earlier battles and then rush the ending in a few pages.

One can only hope the TV series manages to stray from the source material and provide a more satisfying conclusion. Of course, one can always hope to win the lottery as well.

1 of 1 people found the following review helpful.
Books 1 &2, thumbs all the way up! Book 3...thumb halfway up.
By Jenni DaVinCat
I read this series long before they made a TV show about it, in fact, I still haven't actually seen the show (but I'd like to!).

I really enjoyed the first two books, but the third book fell short for me. Fet and Gus were the only two people that I cared about at that point because the rest of the characters, whether it was through their attitudes or their storyline, became boring and unlikeable. I did finish the book, but I found myself wishing that it was shorter or that I was closer to the end, it wasn't holding my attention like the first two in the series.

Speaking of the ending, I won't give it away but it was very predictable.

If you enjoy the show (hopefully it's fairly similar to the books!), then please give the book series a try! I know the third book may fall a little short in quality but as a whole the series is very interesting and well researched. The first two books build an amazing world inside your head and you'll want to find out what happens next, just be warned that the third book may disappoint slightly.

2 of 2 people found the following review helpful.
The (somewhat disappointing) finale
By David Chronister
As the final book in a trilogy, it is charged with tying up all the various loose ends and story beats from the first two books. To be fair, the first two books didn't leave much hanging. Each book in this series has been relatively self contained and not much beyond the main story needed to be wrapped up. As I've stated in my other reviews for this series, I was not a fan of one of the main characters, Doctor Ephram Goodweather. As this series has progressed, I have come to actively dislike this guy. This holds true in here as well, as my dislike of the character is only reinforced, putting a bit of a damper on the story since he is a main protagonist.

Getting back to the story; the first book presented a fresh take an a well worn mythology. As the series progresses, it moves away from that idea and swings back to the more familiar territory of the vampire. It still presents some new takes, to be sure, but overall we're left with themes we've seen before. This was an unfortunate let down after the strength of the first book. In the end, despite a fitting conclusion, I felt slightly disappointed. That's not to say the series isn't good, it is definitely worth a read, I just didn't feel the series lived up to the potential displayed in the first book. At least Ephram finally did something worth noting...

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Senin, 18 April 2011

[L451.Ebook] Free Ebook The Politics of Design: A (Not So) Global Manual for Visual Communication, by Ruben Pater

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The Politics of Design shows the importance of visual literacy when communicating across borders and cultures. It explores the cultural meaning behind symbols, maps, photography, typography, and colors. It is a practical guide for design and communication professionals and students to create more effective and responsible visual communication.
We all know the power of propaganda and how it’s always strictly related to a memory of a specific symbol, typography and colour. It has a purpose and normally remains a classic design to be parodied years later by a new generation of designers. But visual literacy is still a strong weapon nowadays, it’s all about context. This book can be used as a manual filled with realities alerts a designer should be aware so that he doesn’t end up in misconceptions of cultural differences and actually make this asymmetries work in his favour. It will result in a stronger, fundamental response to the inevitability of being partial when dealing with images in the midst of globalization. Misinformation and the terrible consequences it may cause, may it be on purpose or not, is always a piece of vital information away. This is the right book to fill that void, to build bridges between different perspectives on the meaning behind some characters, images and even the order and position they are presented in.

Sales Rank: #176916 in Books
Published on: 2016-07-19
Original language: English
Number of items: 1
Dimensions: 6.90" h x .60" w x 4.40" l, .0 pounds
Binding: Paperback
160 pages

Review

‘All design is ideological, the design process is informed by values based on a specific world view, or way of seeing and understanding reality’ - by Dunne and Raby

‘The future is already here – it is just not evenly distributed.’ - by William Gibson

‘There is no document of civilization which is not at the same time a document of barbarism.’ - by Walter Benjamin

About the Author
Ruben Pater is a designer and researcher from Amsterdam, the Netherlands. He finished the master programme of the Sandberg institute in 2012, and as ‘Untold Stories’ he works on self-initiated and collaborative projects between journalism and graphic design. Past projects are Double Standards (2012), the Drone Survival Guide (2013), and Behind the Blue Screen (2014). His work has received several international awards and is featured in exhibitions around the world. He was a lecturer at the Design Academy, Eindhoven, the Willem de Kooning Academy of Art in Rotterdam, and the Royal Academy of Art in The Hague.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Gives You a New Perspective on How Things Around You are Designed
By Michael K Tatum
I loved this book and I've been interested in the topic since it was first mentioned by another author I really like. It's not very dense, I could have easily read the whole thing in one sitting. It has a lot of pictures and talks about controversial design from a variety of case studies. I like how he took something that could have easily been boring and academic, and made it into a fun read.

0 of 0 people found the following review helpful.
Change your perspective!
By Ellen K. Lupton
This engaging book starts a new conversation about graphic design. The global perspective turns around your assumptions. This is a great book for students. Every designer should read it!

0 of 0 people found the following review helpful.
Five Stars
By Jennifer Wang
Yay Love it

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Rabu, 13 April 2011

[R149.Ebook] Download Invasive Cardiology: A Manual For Cath Lab Personnel (Learning Cardiology), by Sandy Watson, Kenneth A . Gorski

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Invasive Cardiology: A Manual for Cath Lab Personnel, Third Edition was recently honored with 4 Stars from Doody's Book Review! Completely revised and updated, the Third Edition of Invasive Cardiology: A Manual for Cath Lab Personnel, is written specifically for nurses, technologists, and allied health personnel working in the catheterization laboratory. Topics cover all aspects of the catheterization laboratory including cardiovascular anatomy, radiography, angiography, technical duties of the staff, right and left heart catheterization, PCI, invasive ultrasound, valvuloplasty, hemostasis, pediatric interventions, pharmacology, emergency procedures, and many others.

Sales Rank: #295181 in Books
Brand: Brand: Jones Bartlett Learning
Published on: 2010-05-20
Original language: English
Number of items: 1
Dimensions: 9.25" h x 1.34" w x 7.52" l, 2.20 pounds
Binding: Paperback
646 pages

Features

Used Book in Good Condition

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6 of 6 people found the following review helpful.
Love it
By Veronica CCRN
Love it. I just started working in the Cath lab. Very informative for a nurse or RCIS CV tech. My husband is a cardiologist thinks it is a good book for Cath lab personel.

0 of 0 people found the following review helpful.
Very useful
By Randy O.
Great book with a lot of useful information. Wish it had more techniques for echocardiographers like myself who,s a bit confused when going to cath lab, but so much information on disease process and new technologies.

0 of 0 people found the following review helpful.
... the cath lab and this book has been an amazing asset. It explains many of the diagnostics such ...
By Billie Pollom
I recently started working as an RN in the cath lab and this book has been an amazing asset. It explains many of the diagnostics such as IVUS and FFR as well as interventions like Rotoblator. I highly recommend this book for cath lab staff.

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2 Wicked Stepbrothers, 1 Innocent Girl...
Twin brothers, out to get the same forbidden girl - their stepsister. Both of them were born with darkness in their hearts.
Kade hid it, closed his eyes & pretended it wasn't there. Parker fed it until it grew big and menacing.
Lily Ford has no idea what's coming for her.
In love with one of her stepbrothers and best friends with the other, she needs to choose before the darkness comes for her.

***Wicked is a DARK romance! Standalone, full-length, no cliffhanger! For mature audiences only.***
Wicked was previously published under a different pen name.

Sales Rank: #339524 in eBooks
Published on: 2015-07-06
Released on: 2015-07-06
Format: Kindle eBook

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5 of 5 people found the following review helpful.
Incredible, intense read!
By Linda Miller
" Wicked" was wickedly good! I could not put this book down I read it in a few short hours !
Parker and Kade; twin brothers raised by their father alone after their mother dies in childbirth but when they were in their. Teens their father remarried and they get a beautiful little stepsister , Lily. Lily and Parker form an instant bond, always together and the best of freinds, however Kade and Lily never quite bond the same way.
Years later the relationship is much the same , Parker always there to support her and Kade is distant , Kade has figured out why he was always uncomfortable around Lily and still is, it is hard to be in love with your stepsister when your not supposed to feel that way.
To say Kade and Lily's relationship is strained is putting it simply, but it becomes even more s o when the boy's father passes Then shortly after they loose Lily's mom to breast cancer. Everything goes to hell then, the company that their father and her mother built somehow gets left to Lily only, the boys are forced by lawyers from this family home and to spite Lily trying to include them , most of the money is tied up in the company .
Parker and Kade's resentment of Lily grows and one drunken night Kade comes up with the idea to seduce Lily, marry her and then divorce getting the half they should of had all along, for Kade a sober mind regrets ever having the thought because his heart still wants Lily, he never stopped loving her!
Parker however , once he gets something in his head, it is all engines ahead full Parker uses his closeness from the last with Lily to get back together with her , but Kade still keeps his distance, well until she asks him to kiss her that is, it turns out Lily has always had a crush on Kade too!
Kade can't bring himself to tell Parker and he has no intention of going through with his original plan , but Parker begins to get more and more agitated with Lily because suddenly she has no time for him, he has no idea it is because Lily and Kade ar dating, and when he finds out Parker becomes unglued, physically and mentally; at this point the book takes a dark turn. Not only are you dealing with a rift between twin brothers , but Parker is fixated on revenge, thoughts of killing his brother and then claiming Lily for his own.
The author takes you through twist and turns and the dark thoughts and actions of Parker , she has you sitting in the edge for the rest of the book to see what will happen and if Kade and Lily , can make a go of a relationship and survive Parkers plotting!
Absolutely intense read, be prepared to loose a few hours because their is no putting this book down!

3 of 4 people found the following review helpful.
Which brother do you choose?
By Kbries
I thought this was an fantastic stepbrother story. Lily, Kade and Parker grew up together. Happy family until one day, Kade and Parker's Dad dies. Lily's mom dies soon after. With no written agreement all the family money is left to Lily. Angry, the twin brothers decide they will do anything to get what belongs to them. What happens thought when one brother wants something different than the other? This is a great story of love and dark pain. I enjoyed it and could not put it down.

0 of 0 people found the following review helpful.
Dark and Twisty Step-Brother Romance
By Kathleen O'Neill
I received an ARC of Wicked by Alyssa Alpha in return for my honest opinion.
Wicked is a fast paced twisted love story. The story is dark and may not be suitable for those who are offended by physical, sexual, and mental abuse towards women.
Lily is the beloved step-sister and Parker and Kade are her step-brothers. Both brothers are in love with Lily but in completely different ways. The three step siblings are all that is left of their blended families. Lily inherited the business and the boys didn't receive anything. The brothers decide that they want their share, and decide to make Lily pay. However, both brothers, Kade and Parker figure out that they are both in love with Lily, and neither wants to back down. What follows is a twisted tale of love, hate and revenge. The story does span a few years and does have a HEA ending.
The story was fast paced and was an easy read. I would read more of Alyssa Alpha's books.

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Le Tartuffe, revue de théâtre, de théâtre ouvert, fait dès ce premier numéro toute sa part à la musique, à la danse. Bientôt aux expositions et au cinéma en ce qu'ils accompagnent la scène ou la prolongent. A travers les portraits, les acteurs qui tiennent la rampe ou dont le souvenir perdure, par les épisodes exhumés de l'oubli, dans l'actualité du livre, dans celle de l'actualité dont on parle, par le regard porté sur la province ou l'étranger, notre revue ambitionne d'aller à l'essentiel. Gérard Allouche Comité de rédaction : Gérard Allouche, Yves Bourgade, Jean-Pierre Han, Karim Haouadeg

Sales Rank: #405113 in Books
Published on: 2011-09-16
Original language: French
Number of items: 1
Dimensions: 4.92" h x .39" w x 7.09" l, .44 pounds
Binding: Paperback
208 pages

Most helpful customer reviews

43 of 47 people found the following review helpful.
Moliere's paradigmatic neoclassical comedy, "Tartuffe"
By Lawrance Bernabo
I often taught Moliere's "Tartuffe" as an example of the neoclassical form of comedy in contrast to the romantic comedy represented by Shakespeare. We would read "Twelfth Night," a play set in a faraway exotic land where the point was simply romance, and then turn to "Tartuffe," where the contemporary society becomes one of the primary concerns of the comic dramatist. During the neoclassical period society was concerned with norms of behavior, and in a Moliere play you usually find a eccentric individual, out of step with the rest of society, who is laughed back to the right position. Moliere was concerned with social problems, which was while this particular play, dealing with the issue of hypocrisy, was banned for years. Keep in mind that originally hypocrisy was specific to religion, although today it can be used with regards to politics, sex, or even uncontroversial subjects.
The central character in "Tartuffe" is not the title character, but Orgon, a reasonably well to do man of Paris who is married to his second wife, Elmire, and has a song, Damis, and a daughter, Mariane, from his first marriage. He also has the misfortune of living with his mother, Madame Pernelle. Tartuffe is a religious hypocrite who worms his way into Orgon's confidence in order to take him for everything he is worth. Orgon is completely duped, and disinherits his son when Damis tries to prove Tartuffe is fraud. The other key character in the play is Dorine, who is Mariane's maid and the smartest person in the house, which allows her to both manipulate the action and comment on the play.
There are three crucial scenes in the play that readers should appreciate, even if it will not be covered on a future exam. The first is the opening scene (in Moliere's comedies the scene changes every time a character enters or exits) where we are introduced to Madame Pernelle, who promptly proceeds to criticize everybody in Orgon's household while praising Tartuffe. The result is that because she is so obnoxious, we have a low opinion of Tartuffe before he ever appears on stage. So, in addition to being a funny scene, it serves an important function in terms of the play. The second key scene comes when Orgon realizes he has been duped, and instead of continuing to ridicule his central character, Moliere turns him into a sympathetic figure. We laugh at Orgon while he does not have a clue as to his culpability in his coming demise, but once he starts to lose everything we stop laughing.
The final scene of interest, for mostly reasons external to the story, is the conclusion, where Moliere pulls what could only be called a "roi ex machina." This is because instead of dropping a god out of the sky in the manner of Euripides, Moliere has a representatative of the King arrive to set everything to rights. Tartuffe might pull the wool over the eyes of ordinary folk, but the King--in this case, King Louis XIV--is not fooled. The play "Tartuffe" was banned by the clergy after its first performance because it was seen as a thinly veiled attack against the Jansenists (a rather puritanical Catholic sect), and Moliere literally spent years rewriting it before the King gave his approval. It is not surprising that the playwright makes his patron the hero at the end of the play.
If you are only going to read (or teach) one Moliere play, then my choice would be "Tartuffe," even over "The Misanthrope," "The Imaginary Invalid," or "The Bourgeois Gentleman." I would argue that "Tartuffe" is the paradigmatic Moliere play, which best represents his comic techniques while also having a historical context that speaks to the tenor of the times in which he wrote. I also think it is the funniest of his plays.

15 of 15 people found the following review helpful.
The Facades and Scandals of the Seventeenth Century and Today
By Gary Buehner
Intriguing and entertaining, the play Tartuffe is a satire displaying the scandalous truths and facades of the seventeenth century. Although initially written for the people of King Louis the XIV, the book can be read by an every day high school student or adult. Through reading the play the audience is able to see the deception of people and that we can not always judge by what we see. Moliere brings about this concept through his witty play, and in such a manner that you can't put it down. In Tartuffe, Moliere uses the characterization, rhyme scheme, setting, and irony to effectively inform an every day audience about the distinction between appearances versus reality.

Characterization of Tartuffe

The perfect example of a hypocritical facade is displayed in the characterization of Tartuffe; in fact the name can be defined as one resembling false piety of religion. Tartuffe's character doesn't appear until nearly the middle of the play and the first image the audience receives is of him demanding his servant to, "hang up my hair-shirt, put my scourge in place, and pray Laurent for Heaven's perpetual grace. I'm going to prison now, to share my last few coins with the poor wretches there." (Tartuffe 3.2). The scourge and hair-shirt are used as a means of penance and chastisement. Religious ascetics will operate these items in private, showing their true devotion to God and to no one else. Tartuffe, however, made it obvious to the entire household what he was doing. Cleante, the character of reason, expounds upon Tartuffe's character, "those whose hearts are truly pure and lowly, don't make a flashy show of being holy. There is a vast difference it seems to me, between true piety and hypocrisy." (Tartuffe 1.5). If Tartuffe was truly pious, he wouldn't need ratification from others for his good deeds, self-satisfaction would suffice. Although Tartuffe appears holy and raves about his goodness, in reality it is just for show.

Another example of Tartuffe's hypocrisy occurs with Dorine. He tells Dorine to "cover that bosom, girl. The flesh is weak; such sights as that can undermine the soul." (Tartuffe 3.2). Tartuffe might appear offended by the act of seeing a women's chest, however, he doesn't have a problem with sleeping with another man's wife. In the next scene Tartuffe's counterfeit façade is dissolved with Elmire and he offers her "love without scandal, and pleasure without fear" if she will commit adultery with him. To Tartuffe "it is no sin to sin in confidence" and though "some joys are wrong in heaven's eyes, heaven is not averse to compromise." (Tartuffe 4.5). In the scriptures, committing adultery is the third worst sin to commit in God's eyes. Moliere uses this example of Tartuffe's character to expose the many scandals occurring in the seventeenth century with the priests and their inability to remain celibate. Despite the fact priests and those who act pious [such as Tartuffe] appear holy, in reality they sometimes use young girls, committed adultery, and partake in many other scandals.

Not only does Tartuffe aspire to sleep with another man's wife, but also he indulges in the seven deadly sins. While Orgon is away from the house, Tartuffe ate "a leg of mutton and a brace of pheasants," "snored away until the break of day," and "drank four beakers full of port." (Tartuffe 1.4) Tartuffe is supposed to be a devout follower of the son of God. Nonetheless he overstuffs himself, eats too much meat, drinks and oversleeps. Orgon tries defend Tartuffe by saying he "gave him gifts, but in his humbleness he'd beg me every time to give me less." What Orgon doesn't understand is that a Christ-like figure would not accept gifts, and Tartuffe still takes them in, along with wishing to overtake Orgon's household. Tartuffe's sanctimonious display allows the audience to effectively see that he is a hypocrite. Moliere makes it a point to the audience that just because someone appears holy, it does not always hold true and in reality they could be hypocrites.

Characterization of Orgon

Moliere uses the characterization of Orgon to portray a father attempting to control his household when in reality Orgon is gullible and Tartuffe is running the household. Orgon enforces his "fatherly role" upon Mariane telling her Tartuffe is "to be your husband, is that clear" because "it's a father's privilege." (Tartuffe 2.1). He also repeatedly orders the other members in the family around, announcing he is the one giving the orders in the household. (Tartuffe 3.6). Although Orgon attempts to be the one giving the orders in the house, Tartuffe depicts Orgon as growing "more gullible by the day" and that he "could lead him by the nose." (Tartuffe 4.5) Tartuffe is able to get Orgon to sign papers to make him Orgon's only son and heir and eventually Tartuffe takes over Orgon's household. Moliere uses this example to effectively inform his audience that even though we appear to be in control of situations, giving someone too much power and being gullible can lead to a reversal of fortune.

Rhyme Scheme

Another tool Moliere uses to show the difference between appearance and reality is through the rhyme scheme. Moliere employs rhymed couplets to amplify the reading tempo. A rhymed couplet is two lines where the ending syllable of each line rhymes. For example: "there is nothing that I more cherish and admire than honest zeal and true religious fire." (Tartuffe 1.5). The prompt reading symbolizes the frantic disorder of Orgon's household. Although the family tries to put on a façade that they are a perfect aristocratic family of the time, in reality turmoil and conflict subsist throughout the household. This example was true of many families of the time and is also true today.

Setting

The setting also portrays the turmoil of the home and augments the pace of the play. The whole play takes place in the same room in Orgon's home and the characters are constantly entering and exiting the room. This causes chaos and confusion resembling the situation of the family. Moliere efficiently informs the audience that although households [in the 1600s or today] may appear to be perfect on the outside, if you dig a little deeper into the reality, they can be muddled.

Dramatic Irony

Moliere also utilizes irony to expose the difference between demeanor and veracity to the audience. On two occasions the play uses the dramatic irony of Damis or Orgon hiding in a closet or under the table while a conversation between Elmire and Tartuffe is occurring. The first instance has Damis hidden in a closet and the audience gets a whim of Tatuffe's true character. Although Tartuffe "may be pious, he is human too." (Tartuffe 3.3). Tartuffe starts touching Elmire and proclaiming his lusts for her and his pious mask becomes undone. It is not until the second occurrence of dramatic irony that Tartuffe's façade is completely gone and the reality of his lasciviousness is unveiled. Tartuffe tells Elmire "to be his pupil" and he will show her "how to conquer scruple." (Tartuffe 4.5). Once again the audience can see the hypocrisy of Tartuffe. Moliere uses this tool of dramatic irony to show the audience that we can not always believe what we see because, once we truly get to know someone they can be a completely different person than they appeared.

I would highly recommend this book to all people fifteen and over because not only does Moliere give you insights on life, but also he is very entertaining and satirical. Due to the rhymed couplets, the book is a very quick read and it is enjoyable because of the irony and witty diction used throughout. Tartuffe is guaranteed to make you laugh and it will institute deep thinking for those wanting to read an academic work.

18 of 19 people found the following review helpful.
Tartuffe-what a spoof!
By Humphrey Chimpden Earwicker
Fast-paced and oft hilarious; Moliere's "Tartuffe" was one of the most controversial plays of its day. However, I myself do not believe it to be so much a satire on religion (contrary to what was believed at the time) as a satire on religious hypocrisy. Not once in the play is a specific religion or religious belief eluded to, and Cleante (who serves as the play's voice of reason) praises piety (so long as it is honest) in the beginning of the fifth act. What the play is satirizing is how easily people follow and accept what they are told by their leaders, whether religious, political, or otherwise.
In the play Orgon places so much faith in the mischevious Tartuffe that he nearly gives away everything (including his own daughter) to him. Both the strong-willed, weak-minded Orgon and the devious Tartuffe (of whom one could say "thinks with the wrong head") as well as the quick-tempered Damis, the clear-minded Cleante, and the wise-cracking maid Dorine are memorable characters all of whom are wonderfully developed despite the brevity of the play. The rhyme scheme makes for a quick and enjoyable read as well. A classic!

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